Tuesday, 9 May 2017

Eliza Haywood Unpopular in the UK

It pains me to say this, but Eliza Haywood appears to be unpopular in the UK.

Early one Saturday morning, shortly after I did my most recent update of this page (which lists Haywood scholarship online), it occurred to me that most of the major Haywood critics seem to be based in the US. Since it was cold, and daylight was still hours away, I started flicking through my mental card file to identify anyone from the UK who has made a name for themselves in the last century or so, by writing about Haywood, or editing her works.

George Frisbie Whicher? No.
Mary Anne Schofield? No.
Christine Blouch? No.
Toni Bowers? No.
Patricia Meyer Spacks? No.
Kirsten T. Saxton? No.
Juliette Merritt? No.
Jerry C. Beasley? No.
Deborah Nestor? No.
Alexander Pettit? No.
Kathryn R. King? No.
Margaret Case Croskery? No.
Tiffany Potter? No.
Me! No.

The only Haywood scholar from the UK that I could think of, off the top of my head, was Kim Simpson. I wish Kim enormous success, but I am sure she would agree that she is still establishing herself in the field. Which got me thinking: how would you quantify, empirically, the extent to which other UK (or British) scholars have contributed to the field. As soon as I had worked something out, I jumped up and set to work.

It took all day—from dark to dark—but I managed to establish to my own satisfaction that British scholars have made no significant impact on recent Haywood studies. I set out my reasoning and results below, and the limit I set myself concerning how to define "recent" and "impact", but the searches that I conducted which go beyond the limits I set reinforce the impression of those results. That is, British scholars have not made a significant impact on Haywood studies generally.

Another impression I have is that many (perhaps "most") of the scholars, who have made an impact on Haywood studies, are not from top-ranked universities. University rankings are an unhealthy obsession of administrators, but the fact that I had not heard of a very large number of the institutions in question cannot be dismissed solely on the basis that I am an antipodean. I visited every library in the States with more than ten Haywood items in their collection: west-coast, mid-west, north-east and east coast. If I find myself with another day on my hands I might correlate scholars with original editions of her works. I suspect the relation is an inverse proportion.

It is quite likely that my revelation is no revelation to US-based scholars, who regularly attend conferences, and see few outlanders. If any such are reading this, I hope you enjoy finding that the evidence below supports your general impression, that Haywood studies are unpopular in the UK. If you have any theories concerning why that may be the case, I'd love to hear them.

* * * * *

I decided to use citation statistics to establish which essays are most frequently cited. I also decided to omit monograph books because there are very few of them, and none that I could think of had UK authors (Whicher, Schofield, Merritt, me, King). The best citation-indexing of literary Studies is by Google scholar (GS), so I used it, and compared Google to its competitors, focusing on citations from 2000 onwards.

Since I was primarly interested in literary studies scholars who had contributed to the study of Haywood's works as literature, I excluded biographical essays like Blouch's “Eliza Haywood and the romance of obscurity" [48 citations on GS], Backscheider's “The shadow of an author: Eliza Haywood” [27] and King's “Eliza Haywood, Savage Love, and Biographical Uncertainty” [13]. I also excluded comparative essays like H. Thompson, “Plotting materialism: W. Charleton's The Ephesian Matron, E. Haywood's Fantomina, and feminine consistency” [15] and M. N. Powell, “Parroting and the Periodical: Women's Speech, Haywood's Parrot, and Its Antecedents” [14].

The citation-indexing by Web of Science [WoS] is, in general, pitiful: no article about Haywood has more than eight citations on WoS, and none of the six essays with more than five citations are among the eleven with the highest citations on GS. Likewise, only six of the top eleven Google-listed articles appear on WoS, and these listings capture less than fifteen percent of the total citations for the same articles, as recorded by GS (18 versus 125 citations).

The citation-indexing of by Scopus is only slightly better than WoS: no article has more than eight citations on Scopus, and only three of the essays with more than five citations are among the dozen with the highest citations on GS. Likewise, while nine of the top eleven Google-listed articles appear on Scopus, these listings capture only about one quarter of the total citations for the same articles, as recorded by GS (44 versus 161 citations).

With these limits in mind, I was able to establish a list of the top eleven essays—eleven, because there was a tie for tenth place! These essays, with their citation statistics, are:

Lubey, K., “Eliza Haywood’s amatory aesthetic” (2006) [30; 8 on Scopus; 3 on WoS] ¶ focus on Lasselia
Anderson, E. H., “Performing the Passions in Eliza Haywood’s Fantomina and Miss Betsy Thoughtless” (2005) [24; 6 on Scopus; 2 of WoS]
Kvande, M., “The Outsider Narrator in Eliza Haywood’s Political Novels” (2003) [22; 5 on Scopus] ¶ focus on Memoirs of Utopia
Stuart, S., “Subversive Didacticism in Eliza Haywood’s Betsy Thoughtless” (2002) [19; 5 on Scopus; 4 on WoS]
Drury, J., “Haywood’s thinking machines” (2008) [14; 4 on Scopus; 0 on WoS]] ¶ focus on Love in Excess
Girten, K. M., “Unsexed Souls: Natural Philosophy as Transformation in Eliza Haywood’s Female Spectator” (2009) [14; 3 on Scopus; 2 on WoS]
Mowry, M. M., “Eliza Haywood’s Defense of London’s Body Politic” (2003) [14; 4 on Scopus] ¶ focus on Fantomina (1725) and The City Jilt (1726)
Pettit, A., “Adventures in pornographic places: Eliza Haywood’s Tea-Table and the decentering of moral argument” (2002) [13; 7 on Scopus; 5 on WoS]
Black, S., “Trading Sex for Secrets in Haywood’s Love in Excess” (2003) [12]
Potter, T., “The language of feminised sexuality: gendered voice in Eliza Haywood’s Love in Excess and Fantomina” (2003) [11]
Hultquist, A., “Haywood’s Re-Appropriation of the Amatory Heroine in Betsy Thoughtless” (2006) [11; 2 on Scopus; 2 on WoS]

The affiliations of these scholars are:

Kathleen Lubey, St. John’s College of Liberal Arts and Sciences, NY
Emily Hodgson Anderson, University of Southern California's Dana and David Dornsife College of Letters, Arts and Sciences, CA
Marta Kvande, Texas Tech University, TX
Shea Stuart, Gardner-Webb University, Boiling Springs NC
Joseph Drury, Villanova University, English Department, Villanova, PA
Kristin M. Girten, University of Nebraska, NE
Melissa M. Mowry, St. John's University, Staten Island NY
Alex Pettit, University of North Texas, TX
Scott Black, University of Utah Salt Lake City, UT
Tiffany Potter, University of British Columbia, Canada
Aleksondra Hultquist, Stockton University, Galloway, NJ

So, there you have it: ten American-based scholars, and one Canadian-based scholar. So, why is Eliza Haywood Unpopular in the UK?

Sunday, 7 May 2017

Private Case items not on ECCO

While reviewing Patrick Kearney’s two bibliographies of the British Library’s Private Case holdings—his Private Case (1981), which lists items now in the Private Case, and his Supplement (2016), which lists items known to have once been in it—it occurred to me that I could use the data he provides to see whether the Private Case holdings continue to be systematically withheld from ECCO.

I have been curious concerning the presence of Private Case items on ECCO for a while. In my 2011 article “‘The New Machine’: Discovering the limits of ECCO” I mentioned that little of the Private Case material was on ECCO and that the material that had been included at the time of writing had only recently been added (ibid., 441). The main evidence I had to go on was that no Private Case items appear in the first eight thousand reels of the Eighteenth Century microfilm series (the basis of ECCO), and few had appeared thereafter (ibid., 451–52n37). (The first one appears to have been Thomas Stretser's New Description of Merryland, 4th ed. (1741); ESTC: t139065, which appeared on reel 8284 in 1986.)

I recently updated all the information in my Bibliography of Eliza Haywood about items on the Eighteenth Century microfilm series for a forthcoming essay (“The availability of Haywood’s works, editing and issues of bibliography”). And I have also now updated my Checklist of Eighteenth-Century Erotica, using the information from Kearney. I used the updated information about the Haywood corpus as a benchmark for the eighteenth-century works in English either in, or previously in, the Private Case.

My (long) experience using ECCO suggests that Haywood is pretty representative of British Library holdings in general: i.e., that close to three-quarters of all Haywood items on ECCO are sourced from the British Library, and almost everything at the British Library is on ECCO. These proportions seem to be true generally of British Library holdings on ESTC and ECCO.

As I explain below, when I compared the British Library’s holdings of Haywood items with past and present Private Case items, I discovered that, while a similar percentage of Haywood items are on ESTC as are, or were, in the Private Case, it is still the case that, whereas 95% of all Haywood items held in the British Library are on ECCO, less than half of all material that is or was in the Private Case has now been reproduced on ECCO.

That there is little difference between the presence on ECCO of items presently in, versus those once in, the Private Case, suggests that items are not being withheld from ECCO due to access restrictions on the Private Case pressmark. I doubt very much that the material once or now in the Private Case is in significantly worse condition that the many heavily-worn Haywood items I have examined. Consequently, it would seem that the previous and present Private Case items are only being withheld because of the nature of their contents; i.e., because they are works of erotica.

* * * * *

Of the 149 eighteenth-century works in English, recorded by Kearney as being, or having been, held in the British Library’s Private Case, ten are not recorded on ESTC at all (6.7%), a dozen more are not listed as holdings in the relevant ESTC entry (15%), a further forty-nine that are on ESTC, are not reproduced on ECCO and another eleven, which are on ECCO, reproduce copies other than that in the Private Case. Of the seventy-eight items on ECCO (52%), thirty-four are definitely, and thirty-three are probably, sourced from the British Library (45%); “probably” because these items are not identifiable on ECCO by visible pressmarks.

Looking just at the fifty-four eighteenth-century works in English presently in the British Library’s Private Case, three are not recorded on ESTC at all (5.6%), twenty-five that are on ESTC are not reproduced on ECCO (46%) and another four, which are on ECCO, reproduce copies other than that in the Private Case. Of the twenty-nine items on ECCO (54%), seventeen are definitely, and eight are probably, sourced from the British Library.

The data I have on Haywood items is not in a form that facilitates detailed comparison. However, fifteen of the 273 eighteenth-century works in English, which I record in my Bibliography of Eliza Haywood, are not recorded on ESTC at all (5.5%); and of the 180 Haywood items that are reproduced on ECCO, 128 (or 71%) are sourced from the British Library. Fifty-two Haywood items on ECCO are sourced from other libraries (29%), but in only seven of these cases does the British Library also hold the item concerned (5%).

What this means is that a similar percentage of either present (5.6%), or present and previous, Private Case items (6.7%), than Haywood items (5.5%), are missing from ESTC completely; a somewhat lower percentage of present and previous (45%), or present Private Case items (54%), that Haywood items (66%) are on ECCO; but a hugely-higher percentage of either present (54%), or present and previous, Private Case (55%), than Haywood items (5%), which are held by the British Library, are not on ECCO. An item once in, or presently in, the Private Case is over ten times as likely to not appear on ECCO, as a Haywood item.

* * * * *

I will save my data on Kearney for another time, but regarding the Haywood items on the Eighteenth Century microfilm series—and, therefore, on ECCO—128 items are British Library copies. The remaining are from the following libraries: the Bodleian (16), Houghton (9), Huntington (6), National Library of Ireland (6), Clark (5), Boston Public (4), Cambridge (3), and one each from the National Library of Wales, National Library of Scotland, and the Spencer Library.