Early Criticism on Eliza Haywood

Thanks to Google Books, the Internet Archive and the scanning projects of various libraries, a lot of early (i.e., out-of-copyright) critical material—apart from reviews—is now available online. In the case of Eliza Haywood this is a mixed blessing, because a good deal of this material is "critical" only in the sense that it is censorious, not analytical.

However, whether adverse and positive, I think it might be useful to have such links to such criticism and comment, however brief, in one place. Unlike some of my other lists (links below), it is likely to be quite some time before this list is even close to representative or complete, but I'll start small, and add items as I find them.

[For editions of works by Eliza Haywood and recent criticism of the same, see here; for contemporary and early reviews of works by Haywood, see here; for contemporary biographical sources for Haywood, see here. For William Hatchett links see here.]

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1832. John Genet, Some Account of the English Stage from 1660 to 1830 (Bath: H. E. Carrington for Thomas Rodd, 1832), 10 vols. ¶ Wikipedia entry here ("accurate and well-researched"); one of the more important and detailed nineteenth-century accounts of the plays by Haywood and Hatchett, frequently cited. (O = Oxford University; CaOTU = University of Toronto; * = miscataloged and not viewable outside the US.)
vol.1: O copy here and here; CaOTU copy here.
vol.2: O copy here and here; CaOTU copy here.
vol.3: O copy here and here; CaOTU copy here.
vol.4: O copy here and here; CaOTU copy here.
vol.5: O copy here and here; CaOTU copy here.
vol.6: O copy here and here; CaOTU copy here.
vol.7: O copy here and here; CaOTU copy here.
vol.8: O copy here* and here; CaOTU copy here.
vol.9: O copy here and here; CaOTU copy here.
vol.10: O copy here and here CaOTU copy here.